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Meet the Experience Life team, and get a behind-the-scenes look at how the magazine comes together each month.

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Experience Life Magazine

Behind the Scenes: Bok Choy

  • Betsy gets chopping

  • Raw bok choy awaiting preparation

  • Each serving dish is chosen with care

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    Betsy adds grill marks to the grilled bok choy seen on page 47

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    The opening shot on page 46

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    Terry and Lydia set up the opening shot of raw bok choy seen on page 46

  • Roasted bok choy, seen on page 47

  • Betsy and Lydia at Command Central (a.k.a. Terry’s kitchen island)

  • Stir-fried bok choy (left) and braised bok choy (right), both seen on page 47

  • Betsy finishes the grilled bok choy seen on page 47

  • Lydia reviews her layout, while Terry sets up the next shot

  • Betsy braises the bok choy seen on page 47

  • Betsy styles the bok choy stir fry seen on page 49

  • Lydia and Terry are able to drop the photos they’ve just taken into Lydia’s layout to make sure they are perfect

  • Betsy rolls bok choy spring rolls, seen on page 50

Every Confident Cook photo shoot is a collaboration between Art Director Lydia Anderson, Photographer Terry Brennan, and Food Stylist/Recipe Creator Betsy Nelson. An additional part of Betsy’s job is our Master Grocery-Getter. She searches far and wide for the gorgeous fresh produce featured in Confident Cook. After the shoot, there is frequently produce leftover, so I often get the chance to try new ingredients at home. I’ve never cooked with bok choy, so it was a totally new experience for me. I ended up trying it roasted, and also chopped up raw in my salad. Yum!

(And by the way, that’s me holding the different sizes of bok choy on page 48. Lydia is always roping me into doing stuff like this).

Experience Life Magazine

Behind the Scenes: Little Fish

  • Canned fish ready to be used in recipe developer and food stylist Betsy Nelson’s recipes.

  • Art director Lydia Anderson and photographer Terry Brennan choose every element that will appear in the shots with care, including dishes and flatware.

  • Betsy takes preliminary photos of the recipes in her kitchen at home to give us a preview of how they will appear in the final photographs.

  • Crackers ready to be plated with the Olive and Anchovy spread.

  • Betsy sets up a shot, while Terry and Lydia discuss the previous shots.

  • Betsy paints the small fish with olive oil so they catch the light in the photos.

  • Betsy, Lydia, and Terry collaborate.

  • Freshly chopped dill.

  • Betsy adds chopped fresh dill to the Sardine Potato Cakes.

  • Lydia drops the preliminary shots into her rough layout while Terry looks on.

  • Betsy styles the tossed pasta dish. Get the recipe.

  • Terry works on the shot while Lydia looks on.

  • Lydia jokes with Terry as he attempts to set up the fork at the perfect angle.

  • The final tossed pasta dish setup. Get the recipe in our Quick & Easy slideshow.

 

I have to admit, I was a bit skeptical when I heard we’d be featuring small, oily fish in our May edition of Confident Cook. I am normally a huge fan of anything that swims, but had some preconceived notions about what canned fish is good for (e.g. cat food). So I was pleasantly surprised when I saw the many easy ways that Betsy Nelson incorporated these healthy (and surprisingly tasty) little creatures into her recipes. Who knew they were so versatile? As usual, Terry Brennan made them look beautiful as well.

 

Experience Life Magazine

Fact-Checking: Tracking the Source

As the magazine’s chief fact-checker, I get to dig into some fascinating research. Because of the depth and breadth of each story, I plan to spend three to four days on shorter pieces, and up to a week (or more) on our longer feature stories.

That’s just round one. We also fact-check again when our layout pages arrive to verify any new information or subsequent edits that helped further clarify a paragraph or section within the story.

And round three of reviewing the revised pages has me proofreading, but also noting any updates on URLs, titles or stats.

One section that I figure will go quickly, but never really does, is Meditation, the last page of the magazine. Take our June Meditation, which goes live tomorrow, as an example:

The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. —Albert Einstein

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Now, this was what we decided to print after my research lead me to several conflicting statements. There’s even a Wiki page debating the source of various Einstein quotes. NASA blogged about Einstein and included this quote. Several bloggers cited this quote, but others varied the first sentence with “The most beautiful thing we can experience is the mysterious,” or “The most beautiful experience we can have is the mysterious.”

So who’s right? And did Einstein even say this? When, and where can I prove this?

Once a basic Internet search leads me down the rabbit hole, I start looking for attribution. If I can find the quote in a speech with a date and location, I can verify it with other reputable sources. For the Einstein quote above, I kept finding it cited in his essay, “The World As I See It.” When I searched for the essay, it came up on history websites, along with quotation websites. (Note: The narrower and more specific my search, the less results returned by Google, although that’s not a good judge since a misquoted statement can get repeated several times over on blogs, etc., to boost results.)

When I found the essay, I could find the source: Several reports said it was originally published in Forum and Century in 1930; it was included in Ideas and Opinions (Broadway, 1995) using “the beautiful”; The World As I See It was also published as a book, with the new paperback edition boldly proclaiming “The Authorized Albert Einstein Archives Edition” (ooh, that sounds authoritative!); others noted it was taken from his essay, “What I Believe”/”My Credo,” a speech which Einstein wrote in August 1932 for the German League for Human Rights (if you speak German, you can find the recording here); and some surmised that the speech pulled from earlier writing for the F&C piece. But the academic websites were all using “the fairest” vs. “the beautiful.”

The biggest issue: Since this quote was originally spoken in German, any English mention is a translation. Hence why I was finding conflicting reports in the language.

Although the message is essentially the same, my job is to make sure we are accurate, and that’s a challenge when we can’t call up Einstein himself to verify the quote. The search for the source can be a complicated process, but I’m always happily surprised by what I learn along the way. And now I can use “I’ve heard Einstein speak in his native language” as a conversation starter.

Experience Life Magazine

Illustration Creation: Loving What Is

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Sketches for the article “Loving What Is.”

As I said in an earlier post, the first thing I decide before commissioning an illustration is whether it should be conceptual, literal, emotional or decorative. Adam Niklewicz is one of my go-to artists for conceptual illustrations, especially when I need a topic stripped down to its essential elements.

For the article “Loving What Is,” I needed an image to convey the idea of accepting our lives as they are, rather than what we think they could or should be. In addition to sending him the article, I nudged him in a general direction — as I often do — by tossing out the phrase “staying calm in a chaotic world.” Adam gave me some great sketches that all relate to that idea (above).

We loved the one with the guy under the umbrella, and only asked that Adam change the figure so that he is reaching his hand out, to indicate that he is evaluating the situation (below left). The final art (below right) had just the optimistic tone we were looking for.

Thanks to Adam for providing us with another lovely image!

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Revised sketch and final art for the article “Loving What Is.”

 

Experience Life Magazine

Behind the Scenes: Yoga 4 You

  • Makeup and hair stylist Natalie Hale uses a steamer on the yogis’ wardrobe.

  • Yogi model Martha Williams warms up before her portion of the shoot.

  • Martha finds her balance in Dancer’s Pose while photographer Bob McNamara shoots.

  • Natalie gets yogi model Carlton Morris camera-ready with some light makeup.

  • Carlton adjusts his Warrior II pose.

  • Art director Lydia Anderson and Carlton discuss his photos.

  • Natalie does yogi model Jan Johnson’s makeup.

  • Natalie’s tools of the trade.

  • Lydia and Bob review Jan’s photos, while Natalie readjusts a lock of Jan’s hair.

  • Photos of Jan, ready for review.

  • Yogi model Matt Portwood warms up with some handstands before his shoot.

  • Matt demonstrates his yoga skills with a challenging arm balance.

  • Natalie adjusts Matt’s shirt to smooth out the wrinkles.

  • Matt stays in a challenging foot-behind-the-head pose as he reviews one of his photos.

Since joining the Experience Life staff just over a year ago, I’ve been introduced to lots of new ideas, many of which have worked their way into my daily life in terms of what I eat, how and when I exercise, and trying to live mindfully. But none of my new habits have affected me as much as yoga. And my journey started at the photo shoot for the “Yoga 4 You” article in our April 2013 issue.

Watching our yogi models through my camera lens gave me insight into the way yoga transforms us. I noticed not only the physical strength and grace they each possessed, but also their calm demeanors. The common denominator between them, obviously, is their yoga practice, so I made a New Year’s commitment to take one yoga class per week. I started with Jan Johnson‘s Monday Vinyasa Flow class, which my co-workers Courtney Helgoe and Heidi Wachter already regularly attended.

I was immediately hooked. Jan is an amazing teacher, and Courtney has been super helpful by answering my yoga questions outside of class. My one class per week quickly turned into three to four, as I found myself always needing to know when my next class would be. The LifePower Yoga program has been perfect for me in terms of balancing traditional yoga with physical fitness. I can sweat it out in a Warrior Sculpt class, or really get in touch with myself with Yin/Restorative.

As long as I know I’ll be able to attend a yoga class within a day or two, I feel like I’ll be fine no matter what life throws at me. Every class I take invigorates me emotionally, physically, and spiritually. I try to take my yoga practice off the mat and into my daily activities, and because of it, I feel like I’m slowly becoming a calmer, gentler version of myself (I have a few rough edges that could use softening up).

Thanks to all of our yogis, and especially Jan, for guiding me onto the yoga path!

Experience Life Magazine

Illustration Creation: Monkey Mind

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Sketches for the article “Monkey Mind.”

There are certain illustrators who I lean on heavily when times are tough (meaning, I have no idea what to do for art). Perhaps the subject of an article is very abstract, or complex, and I need someone who can distill it down to its essence for me. James Yang is one of those artists. I’ve worked with him for many years, and he has pulled me out of a fair number of art dilemmas. He is someone I know I can hand a difficult assignment, and he will come through with flying colors. He makes ME look smart, when really he is the smart one.

The article “Monkey Mind” is about overcoming mental chaos, so I asked James to give me sketches that “represent what Monkey Mind feels like.” He gave me several clever sketches (above left), and I was totally charmed by his monkey characters. My only thought was “I need more monkeys!” So he revised two of his original ideas to include more of the little buggers (above right). The final art (below) does a great job of showing how it feels to be overwhelmed by the various thoughts that are constantly going in and out of our minds. Here’s hoping we can all conquer our own monkey minds and gain focus on what’s important. Thanks to James for helping me out with this illustration!

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Final art for the article “Monkey Mind.”

 

Experience Life Magazine

Behind the Scenes: The Perfect Warm-Up

  • Stylist Pam Brand does Alli’s makeup.

  • All of the wardrobe options for Alli.

  • Some of Pam’s styling tools.

  • Alli waits for direction on set. Photographer Bob McNamara uses an iPad to instantly preview shots.

  • Pam fixing Alli’s hair while she demonstrates the “Quadruped Extension/Rotation.”

  • The crew looks on as Bob shoots.

  • Alli demonstrates the “Power Skip.”

  • Art director Lydia Anderson and former fitness editor Jen Sinkler discuss a shot while photographer Bob McNamara looks on.

  • Pam fixes Alli’s shirt.

  • Alli demonstrates the “Supine Bridge With Reach” for the video segment.

  • Alli takes direction from former fitness editor Jen Sinkler and associate editor Jocelyn Stone.

  • An iPhone provides another angle for the video.

One of the things I love about our photo shoots is getting to spend the day with all the talented people involved. It’s inspiring to be around folks who are so dedicated to their craft, like photographer Bob McNamara and stylist Pam Brand.

I’m always pleasantly surprised at how likeable our fitness models are, too. Take Alli McKee, for example, who demonstrates the moves in “The Perfect Warm-Up.” One might expect a fitness model to be a bit of a diva, but somehow we manage to find “normal,” nice people like Alli who just happen to also be in awesome shape. Thanks, Alli, for bringing your positive energy to the shoot — I think it really comes through in the final photos.

Experience Life Magazine

Illustration Creation: Toxic Gossip

Sketches for the article “Toxic Gossip.”

When assigning an illustration, the first thing I do after reading the article is decide what qualities I’m looking for in the artist. Is it their ability to conceptualize an abstract idea? Am I looking for something more literal, like an infographic? Is it more or less a decorative element on the page? Or am I trying to capture human emotions?

In the case of “Getting Past Toxic Gossip” (March 2013), the latter was the case, and I knew Daniel Krall was the guy to call. His figures are stylistically interesting, and he does an awesome job with facial expressions. Plus his color palette is fresh, and he has the ability to artfully fit a lot of information into a small space.

I asked him for sketches that were “variations on either being gossiped about, or gossiping about someone else.” He had the added challenge of working within the very horizontal shape I gave him. The sketches above all fit the bill, but we felt like the cubicle scenario would resonate with many of our readers. The final art (below) was perfect for the piece.

Thanks to Daniel, for helping me draw readers in with his amazing artwork!

Final art for the article “Toxic Gossip.”

 

Experience Life Magazine

Behind the Scenes: Heroic Feast

 

The photo shoot for March’s Confident Cook (“Heroic Feast,” page 46) was a bit different than usual. Instead of shooting a handful of different recipes using one ingredient, we featured a complete spring menu. For that reason, the opening shot was meant to resemble a dinner table, including flatware, silverware, and drinking glasses. The natural light in Terry Brennan’s studio lent itself well to the spring-like look and feel we were going for.

As always, thanks to Terry and Betsy Nelson for bringing our pages to life!

 

Experience Life Magazine

Illustration Creation: The Happiness Hypothesis

Sketches for the article “The Happiness Hypothesis.”

What does happiness look like? How about happiness coming from within? These are the types of problems art directors ask illustrators to solve, and the solutions they come up with are what makes working with them so fun.

For “The Happiness Hypothesis,” which appeared in the March 2013 issue, I drew upon the talents of Gwenda Kaczor, who I’ve worked with many times for her great conceptual mind, and the unique look and feel of her art. Her initial concepts (above) gave us a great starting point. We asked her to combine two of her ideas into one, resulting in her revised sketch (bottom left) and then her more refined final art (bottom right).

Thanks to Gwenda for gracing our pages with her beautiful artwork!

Revised sketch and final art for the article “The Happiness Hypothesis.”

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